Why not contact them (, Too late now to edit my earlier post, but I've discovered that that link doesn't work. Arthur left the company he had dedicated himself to and the tenure of the Barnes family association with FANE was temporarily ended. "Celestion's Blue and Gold are most players' benchmarks when it comes to alnico speaker tone, and in a direct comparison test, with all the drivers involved having been nicely broken in, the Ascension N30 fares very well" Chris Vinnicombe, Guitar & Bass 2016. (top row) 1980s Crescendo 12 'E' and 15 'E' PA speakers and cones The Eminence were slightly brighter and slightly dirtier at high volume. Sound City is one also WEM but mostly I think Hiwatt when Fane comes up. From Ubiquitous. He also briefly use a pair of silverface Twin Reverbs in a 1984 performance, and a pair of Twin Reverb II amp heads from 1984-87. Based on your location, we've changed your settings: Shipping Region: - Phil Taylor, Guitar World Sept 1994, "I've got three normal Hiwatt heads, AP100sOne Hiwatt powers a WEM 4x12 with the Fane Crescendos in it and a Marshall with Celestions; the second does the same thing but it has a chorused version of the first signal in effect, this means that one pair has a wet signal and the other remains dry." WEM sold these with many different brands of speaker inside, including Fane, Celestion, and Goodman. Select one or more of the filters below to view products meeting your criteria. The Fane team in the UK production plant in West Yorkshire, England. Just remember these are heavy, loud 85-100 watt amps. Two common types of 12" Crescendos were made in the 1970s - type 'A' all-purpose speakers, with aluminum dust caps, and type 'B' and 'L', with plastic treated linen surrounds, which were sold in pairs and intended for bass guitar and organs. Anyone else needs to contact them, just go to the main website. Hiwatt, Jennings, Sound City, WEM, VOX and Laney were just some of the well known brands that equipped their cabs with Fane and with them the signature to iconic British tone. Cluster One - with Fender 59 Bassman LTD - Strat with EMG-SA pickups, 5AM - with 59 Bassman LTD - Les Paul with P90 pickups, Purple Rain solo (Gilmour/Tom Jones version) - Proco RAT through 59 Bassman LTD - Strat with EMG SA pickups, Calling - B.K. The sound is very detailed and cuts straight through in a band mix. We aretrusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the worlds most famous sound system designers, high quality musical instrument amplification brands and fixed installation companies. (A Fender PRII), Some of the add-ons on this site are powered by. Specifications, general parameters, Thiele-Small parameters, box volume, reviews, manufacturer recommendations. This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. $144.99. The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. Aluminum caps were popular with many speaker manufactureres in the 1970s. Without seeing the model number or specs it can be very difficult to identify which is which because Crescendos were not always branded with a Crescendo label. Fane Crescendo Type A speaker with Green Russian Big Muff - On the Turning Away solo, Fane Crescendo Type A speaker with a Green Russian Big Muff - In Any Tongue solo - no modulation, Fane Crescendo Type A speaker with a Green Russian Big Muff - In Any Tongue solo with modulation, Fane Crescendo Type A speaker with EHX Ram's Head Big Muff - Mother solo, Fane Crescendo Type A speaker with Green Russian Big Muff - Money solo, Fane Crescendo Type A speaker with B.K. As Celestions are widely available - is there one closest to the vintage Fanes that David Gilmour used ? You will also need glue, epoxy . NOTE: This website is frequently updated. Best suited for use in 1 x 12" and 2 x 12" low- to mid-powered combo amps, the Ascension N30 is an optimal . David has also used other similar Fender tweed amps in his Medina studio in Hove, such as the Bandmaster and Tremolux. The tone falls somewhere in between the Crescendo A and Weber FC12. Below are clips of my 59 Basman LTD with blue frame alnico speakers. Drivers for household or reinforcement use were advertised in 1959. Ascension A90. The cast metal speaker frames had four spokes with a notch hole cut out of the bottom of each spoke around the mounting screw holes. In 1966 a young man by the name of Arthur Barnes joined Fane Acoustics as the press-shop manager. Not so much a brand purchase under new owners, it represented a coming home for the management team after a period interrupted in 1989. By bringing FANE closer to key growth regions, FANE has been able to develop market share in the great emerging world economies. The frames were made of heavy 5ply plywood, not particle board like other 4x12 cabs of the era. Fane label that was also used on some speakers with the exact same specs as the Crescendo 12 A. The type I have (with purple label, shown above) were based on the Fane 122293 model. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane throughout in the 1960s, '70s, and '80s. A 1x12" cab or 2x12" (two 12" speakers) is suitable for most home or small venue players. Fane also sold the exact Crescendo 12A speaker with a regular Fane label. Keep in mind that this is just one Crescendo, and not all Crescendos will sound identical. The 122326 ink stamped identification code was usually stamped right above the label on the spoke. Those had a wider frequency range than the type 'A'. David Gilmour's WEM 4x12 cabinet loaded with Fane Crescendo 100w speakers and Marshall JCM-800 Hi-Tone Crescendo A speaker with Green Russian Big Muff - On the Turning Away solo, Hi-Tone Crescendo A speaker with a Green Russian Big Muff - In Any Tongue solo - no modulation, Hi-Tone Crescendo A speaker with Green Russian Big Muff - In any Tongue solo with modulation, Hi-Tone Crescendo A speaker with EHX Ram's Head Big Muff - Mother solo, Hi-Tone Crescendo A speaker with Green Russian Big Muff - Money solo, Hi-Tone Crescendo A speaker with BKB 911 Tube Driver - Take A Breath solo, Hi-Tone Crescendo A speaker with a BKB 911 Tube Driver - Louder than Words solo, Hi-Tone Crescendo A speaker - clean tone with compressor - Coming Back to Life, Hi-Tone Crescendo A speaker - clean rhythm tone with compressor - Another Brick in the Wall Part I, Shown above - 100w FC12 ceramic with aluminum dust cap from Ted Weber. Note the extra "ground" switch on the left, which was actually a dummy switch to mimic the look of the original Bassman. Those look great. David mixed Crescendos and Celestions for his 2015-2016 tour and according to Phil Taylor, one WEM 4x12 cab was loaded with Crescendos and used with his DR504 Hiwatt, and one was loaded Celestion G12-100 speakers for use with his Alessandro amp. During the 1970s FANE went from strength to strength, increasing production capabilities and carrying out further research in loudspeaker technology and advanced construction materials. David used a 1972-74 era Fender Dual Showman Reverb head with a matching Fender 2x15 inch speaker cabinet in the 1976 recording sessions for Pink Floyd's Wish You Were Here album, along with his Hiwatt/WEM cab, and a Leslie 760 rotary speaker cab. It's such a beast of a driver even attempts at clones have fallen short. Electric Guitarists. David used a silverface Twin Reverb in the Dark Side of the Moon recording sessions, and a Dual Showman Reverb (a Twin Reverb in head form) for the Wish You Were Here Sessions. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard. The '59 Bassman is a replica of the original 1959 tweed covered Bassman model 5F6-A combo, a 45w amp with four 10" speakers, and four inputs. Fane Crescendo speakers for bass guitar cabinets. A well-balanced driver, equally suited to classic rock sounds as it is jazz, heavy metal or punk. The black Tolex covered frame had triangle-shaped braced corners and was center cross braced with a 1" steel rod. See more. Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Hey Joe - B.K. Your purchases help youth music programs get the gear they need to make music. Compared to my original Crescendos, the Crescendo A is slightly brighter, with slightly more treble/upper mids, and slightly less low end. The 15" Crescendos were also sometimes labeled "100A". Last update February 2022, - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. - Phil Taylor, Guitarist Magazine Jan 1995. 16153 Russell St . The original Crescendos were 12" 100w, 15" 100w, and 18" 150w models, all available in both 8 ohm and 15-16ohm. All Crescendos do not sound identical, but compared to my originals, the Starfinder is slightly darker with less upper mid range. Shown above - 100w Starfinder with aluminum dust cap from Rawson Sparfield, made in the United kingdom. Fender switched back to using a real tube rectifier, added a tinted laquer to the tweed covering, and changed the cabinet construction to finger jointed solid pine wood. Arthur would progress through the ranks to become Managing Director and become the driving force behind FANEs most globally successful period of the 1980s. After '69 the silverface amps became slightly more bassy, with slightly less head room (less clean) when you turn them up, but still good amps for Gilmour. The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. This is a comparison of one of my original Fane Crescendo speakers to the Rawson Sparfield Starfinder and Hi-Tone Crescendo A speakers. Type A speakers were typically listed in speaker catalogs as "Crescendo 12A" and the spoke labels on the speakers identified them as type "12 A". In some ways the 75 sound is the opposite of the Fane Crescendo, which is why they balance so well with them. Butler Tube Driver or Proco Rat. Compare these to the original Fane Crescendo sound clips at the beginning of this section. Originally the UK made T-75s were brighter sounding, but around 1995 Celestion changed the voicing to a darker sound, with much more mid scoop and low end. There is typically zero difference in the sound of one impedance over the other, so it does not matter which you choose. I use a set from 1995 and the mid-scooped tone is almost the opposite of the Crescendo, but paired with a Hiwatt it has a very Gilmour-like sound. OEM customers could select variations of cones, coils, dust domes and suspensions to modify product to suit their individual requirements, a service that FANE continues to offer today. Weber FC12 speaker with a Green Russian Big Muff - In Any Tongue solo, Weber FC12 speaker with a BKB 911 Tube Driver - Louder than Words solo, Shown above - Hi-Tone 75w DR-F speaker made by Eminence, based on a Fane purple backed speaker from the 1970s. The all new "Starfinder" DG12A cast aluminium basket 100w 12 inch guitar speaker featuring extra high power anisotropic ferrite magnet, 2 inch voice coil and 20,000 gauss is painstakingly reproduced to the same specification as its predecessor, the "CRESCENDO"12A that was instrumental in producing that unique early Floyd sound. Entdecken Sie Eminence Marshall-Speaker"AX-75"/12er,16 Ohm-75Watt-neuwertig in der groen Auswahl bei eBay. Brand New Fane 12 122142 Aftermarket Recone Kit 16 ohm. https://www.rawsonsparfieldloudspeakers.com/speakers, http://www.kitrae.net/music/David_Gilmour_Amplifiers_and_Speakers_2.html#Speakers, Legendary Guitarist changing for PRS guitar. The Ascension F70, 12-inch, 70 watt, ceramic magnet driver, represents the evolution of a classic tone guitar speaker for players looking for a fresh point of reference. Pigtails, shims and instructions are included. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). Principles Before Personalities 1212 Step Study. All used the exact same chassis, circuit, transformer, and tubes as the Twin Reverb. View similar gear Watch Watch this gear and we'll notify you if it becomes available again. Whittier Speaker's. 15215 Janine Dr East Whittier, California Call Now. Made for Hi-Tone by Eminence. You are using an out of date browser. The Ascension N30 captures the complex sonic structure usually associated with an alnico loudspeaker in a light weight neodymium format imbued with Fane's authentic vintage tone. vintage 1975 Fane Crescendo 12" speaker 16ohm, Gilmour, Pulsonic Cone . In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. Another decade of continuous success saw increased FANE presence in high-end theatres such as Carnegie Hall, New York, and the Royal Theatre, Copenhagen. for putting this video together. It's a bit brighter and bassier than the 1028P according to Eminence, but not really any better sounding than the stock Jensen speakers already in the Bassman RI. They had brown solder tags to connect the speaker wires, screwed to the spoke with flat head screws. Two common types of 12" Crescendos were made in the 1970s - type 'A' general purpose speakers, with aluminum dust caps, and type 'B' or 'B/L' for bass and organs, with plastic treated linen dust caps. IonoFane was used by the British Broadcasting Company (BBC) as a monitoring loudspeaker and Bower & Wilkins also made units under license to Sony in Japan. Tony yes, you're right about the wording on the label; sounds like something from a space TV programme of the same era! (bottom left to right) 1983 Crescendo 12 'E' speaker cone, 1977 12 A speaker cone, and 100A speaker and cone. Note the aluminum dust caps indicate these are Crescendo 12 'A' type speakers. It is also sometimes difficult to identify real Crescendos. They are also available with Alnico magnets. Please check the fields highlighted in red. You know you live in Texas when your A/C dies in January. Hey, maybe the greater the flux density, the more my chances are of going back in time? If all of your buying and selling of guitars has taught you one thing, what is it? A bold new entrant in the arena of high performance Alnico guitar speakers for modern rock and metal sounds. 27 subscribers In this video we compare the classic FANE Crescendo A with two of the best options in the market right now. The first time I heard these through a Hiwatt I instantly recognized the Gilmour sound. They were also much heavier and used thicker wood than the Hiwatt and Marshall 4x12 cabinets of the time. While not an exact replica, it is the same size and is built like a tank. Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. T-75s were first made in 1984 and are the most common type of Celestion speaker, so they are very easy to find. The Colossus Crescendo 18 were the 4" coil version, which later became the 400b. The 12 A was the type often used by Gilmour. Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets from his 2006 tour with barely visible. The old Marshall JTM45 is also nearly an exact copy of the Bassman circuit, but substitues a 12AY7 preamp tube with a 12AX7 tube for more gain, which makes it a bit too dirty for most Gilmour tones. East Whittier, California Call Now. Your purchases also help protect forests, including trees traditionally used to make instruments. The normal channel on the 59 Bassman sounds very similar to the Twin Reverb/Showman when playing clean, but at high volume the Bassman sounds more compressed and breaks into overdrive. speakers, and Crescendo 15B and 18B PA speakers, all of which have completely different specs and sound than the 12A. It is unknown what David's used. Your purchases also help protect forests, including trees traditionally used to make instruments. These are the same sound clips from this page. The 1990 tweed Fender 59 Bassman RI combo amps David used throughout the 1990s and early 2000s were fitted fitted with four 10", 8 ohm, 20w Legend 1028P blue frame Alnico speakers with paper voice coil formers, made by Eminence for Fender. They should be replaced after about 20-25 years, which adds to the cost. Its articulate high end and super-tight bottom deliver precision and punch while maintaining the legendary Fane tonal character. Send Flowers. The braided piping on the early Starfinders was gold but changed to silver and red on later production. Note that an amp tech will need to rebias the amp for you when you change tubes, for the best optimal sound. Rawson Sparfield sells a 100w Fane Crescendo 12A replica that is a very accurate recreation of the original, using a similar cast metal frame, the same magnet and voice coil specifications, and aluminum dust cap just like the original. The easisest way to tell an original 59 Bassman reissue from the later LTD is the fake "ground" switch on the original. Although not an exact copy, it is very close to the sound of a 1970s Fane Crescendo and includes the aluminum dust cap. I don't think one is any better than the other, it's just a matter of personal taste. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. 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Early Starfinders was gold but changed to silver and red on later production think one any... The speaker wires, screwed to the sound is the same size is... Sound than the type I have ( with purple label, shown above 100w! The press-shop manager of speaker inside, including Fane, Celestion, and not all Crescendos do not sound.. And a standard uses on 1970s Fane Crescendos, the more my chances are of going in. As it is also sometimes difficult to identify real Crescendos was described or photographed is built like a tank 122293... The exact same specs as the press-shop manager precision and punch while maintaining Legendary.
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